The Red Dot Design Museum Essen in Germany presents the exhibition “Making a Difference / A Difference in Making”. The collection brings together pioneering 3D-printed works of art, design, engineering and science. The exhibition was curated by Marta Malé-Alemany, architect and recognized researcher in the field of digital fabrication technologies, and produced by Materialise, a 3D printing company based in Belgium.
Open Until 30 October 2016. For more details please visit the Red Dot Award website at http://en.red-dot.org/making-a-difference0.html
The Ai stool was designed and produced in 2005/6 and was one of the first objects to be produced using a combination of Artificial intelligence and AM tools (3D printing)
We are growing new structures in the studio, using some cool new smart algorithms.
Saying that machines can learn is like saying that submarines can swim @Noam Chomsky
The Helix Bracelets and Rings are now produced in a range of colours and materials, a collection of objects designed and manufactured in London by Assa Ashuach Studio and production partners.
All objects are made using SLS and DMLS technology – Selective laser sintering, widely known as 3D printing.
For more information about wholesale please email us to email@example.com
For personal buying prices, click the link BUY on the top right of the screen
Now Open at the beautiful Centro Centro in Madrid, FUTURO INMEDIATO. IMPRESIÓN 3D a show curated by Ana Domínguez Siemens.
The show explores early and contemporary scenarios in 3D design, manufacturing and 3D printing.
If you are in Madrid, visit the show within March 23th – June 26th 2016
Show link: www.centrocentro.org/centro/exposiciones
Address: Plaza Cibeles, 1, 28014 Madrid, Spain
I was Invited to join the debate at the Foundry, the cool design and CGI software house to write about some of my design thinking and workflows.
See the post at the foundry blog www.thefoundry.co.uk/blog/man-and-machine-partners-in-creativity/
Here is the uncut version:
I would like to thank The Foundry for inviting me to join the conversation around ‘creativity vs automation’.
This topic is at the centre of my research. I feel as if automation is almost equal to freedom.
It frees us from certain elements that can be done in a better, faster way. It is also a form of magic; we look at an automated process and we get a sense of pleasure, a sense of achievement.
It mimics human behaviours and sometimes replaces human skills. As we step into an era of complex social hierarchies, it is our responsibility to design technologies and mechanisms that unlock and enhance human capacities rather than merely replacing them.
We are designing all sorts of automated processes within our digital design and co design workflows. Below I hope to illustrate some principles that guide us in that process.
Tool-making is a human instinct
We are very busy with improving our tools, a bit like the shoemaker who is always thinking about improving his working bench and sharpening his blade. Or perhaps the hunter, going out hunting and the trapper designing his trap mechanics, planning and speculating.
Repetition can be automated
When you are repeatedly designing and producing things, you start identifying elements with shared identities. Patterns, behaviours and elements that repeat themselves are maybe the first opportunity for automation in design.
Need for automated sense of materiality
Working with 3D virtual workflows, we need a sense of physicality and scale. Designing objects on a flat screen without any real life sense of load and materiality, we often struggle to perceive the true nature, durability and characteristics of the virtual object. This is another domain that needs some form of automation that can be in turn efficiently associated with human decision making and judgment mechanisms.
Signs, symbols and applied beauty
Designing, shaping and sculpting are perhaps the most advanced forms of human visual expression. A bit like sketching, these are strokes of intuitive imagination. We are consumers of forms and functions, therefore designing for usability and are experts in the application of perceptual signs and symbols that makes an object readable, projecting its nature and functions.
Aesthetics is the joy in perception. We are controlling the outlines and contours of a surface by manually conforming, restraining and enhancing its continuity and flow. These are challenging tasks to automate as we design the object perceptual system, symbolic impact and aesthetic value.
Technology to unlock and amplify human capacity
We are the consumers at the end of this industrial cycle. We design and manufacture objects for a better life, sustainability, survival but also comfort and beauty. It is clearly about efficiency, energy reduction, and better use of resources, while keeping people working and happy. As industrial designers, we have the responsibility to innovate inclusively. AI, machine learning and automated digital processes will replace some of the existing human professions in the near future, and while this is a natural progress, is seems that there is a great opportunity to design technologies that will intelligently unlock and amplify human way of doing things instead of merely replacing them.
We should own less but with more value – Objects we own need to perform better for usI will discuss:
1, A technology to enable user input into objects. online at the virtual phase, where objects are ‘alive’ and can be reconfigured and personalised to achieve a better value and fit.
2, Retail workflow, design freedoms Vs cost optimisations. local manufacturing horison, logistics and supply chain within this digital environment
3, Hi Vs Ai – Human intelligence Vs software automation, where can design process be automated and wear do we must have human check points or creative intervetions
Join us February Saturday 23rd 2016 at the victoria & Albert Museum LondonRedistributed Manufacturing research at the RCA http://www.rca.ac.uk/research-innovation/research/current-research/future-makespaces-redistributed-manufacturing/
V&A Event link http://futuremakespaces.rca.ac.uk/so-hows-this-event-going-to-work-then/
Images of Support Sitting – working progress by Assa Ashuach
ill be talking digital design and manufacturing, mainly within the SLS & DMLS at the coming 3D hubs conference in London. fascinating to see how home 3D printing is now part of DIY and maker communities, will it be a real production tool for us industrial designers to use? yes, I believe so. FDM materials and machines are now robust, it is more about smart utilisation.
location: Getting to The Proud Archivist http://www.theproudarchivist.
image of the new OMI light XL
Arts & objects installation open now in London, Curated by Flora Fairbairn of Fair & Co and Philly Adams of The Saatchi Gallery in collaboration with Seth Stein Architects. address: 9 Hillgate Street, Notting Hill, until 19 December.
Visit by appointment only, contact firstname.lastname@example.org
photography of the venture stool in materials GRP & Wood
More about the project at http://assaashuach.com/#!/portfolio/venturi-stool/5
The chairs are currently on display at the Selfridge’s Autrium until the 14th of june. The installation, entitled Re Work It, is curated by Fair & Co and we were delighted to partecipate with the Bungee and Rolling Pin chair.
Auction link, until June 9th